Amadeus – REVIEW – City Hub Sydney
, 2022-12-31 00:00:25,
This new production of Amadeus is a thorough re-imagining of Peter Shaffer’s hugely successful 1979 play; the stage is deep and sparse, the costumes are a confection, and the performances are emphatic and campy. Acclaimed Welsh actor, Micheal Sheen is a tour de force in the central role of Antonio Salieri, leading a virtuoso team of cast and creatives.
Amadeus is a collaboration between Sydney Opera House and independent company, Red Line Productions who had been trying for years to get the rights to the show. If you’ve ever attended a play at the Old Fitz Theatre in Darlinghurst, the home of Red Line Productions, then you’ll appreciate the massive leap from that diminutive 58-seat basement space to the 2,679-seat Concert Hall of the Sydney Opera House.
Bigger isn’t always better, however, and the cavernous size of the auditorium has some downsides. Firstly – and surprisingly, given the much lauded recent renovations – the sound quality is a few notches from perfect. There is a discernable, if subtle, reverb. Then there is the distance and ambience of a large space which makes it difficult not only to clearly see facial expression and finer costume details, but also to feel connected.
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